The means of creating stained glass was
itself a kind of miracle needing the skills
of both alchemist and artist. The tool
for cutting the glass for example, had
to be cooled in ‘the urine of a three-year-old
goat fed only on ferns or, if that was really
unavailable, the urine of a small red-headed-boy’.
Here stand the complexities of the 16th century mind.
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